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New Publication with Gregory Santos's Mixed Grit

Very pleased to be a Round 2 participant in Gregory Santos's (Denver, CO) snail mail litho publishing trade project, Mixed Grit! I was sent a grained litho stone in the mail with a No3 litho crown with a month to complete a drawing and return the stone to Greg for etching and printing. You can follow the etching and printing processes through the Mixed Grit instagram account.  Mixed Grit is "a unique format, semi-collaborative stone lithograph print trade comprised of small curated groupings of select artists from across the nation. All images are drawn using only a Korn’s No.3 lithographic crayon pencil. All stones are prepared at carborundum 220 and shipped via USPS Priority Mail Flat Rate shipping." Check out...

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New Exhibition: National Juried Exhibition at the Morgan Paper Conservatory

The invention of paper contributed greatly to the rise of literacy and art around the world. For the past 2000 years, paper has evolved in a multitude of directions. It continues to inspire and impact almost every aspect of our lives. The artwork in this exhibition celebrates paper’s versatility as a medium and represents a selection of innovative and visually striking approaches by contemporary artists.  The Morgan Conservatory is the largest arts center in the United States dedicated  to every facet of papermaking, book arts and letterpress printing and to cultivating the talents of established and emerging artists. An international destination that is free and open to the public, the Morgan Conservatory is a working studio, gallery, gathering place for...

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New Exhibition: Loved to Death collaborative work of Annalise Gratovich and Polly Morwood

Thrilled to be announcing the exhibition Loved to Death, the culmination of my collaborative work with Polly Morwood including etchings with embroidery and chine collé etching collages. Opening September 7th at Leona Gallery on East 12th Street in Austin, Texas.  Loved To Death is an exhibition of collaborative works on paper created over the past year by Annalise Gratovich and Polly Morwood. Utilizing copper plate etchings and embroidery, each handmade piece was pulled from a manual printing press in the Flatbed Press printshop of East Austin and completed in each artist’s respective studio. This new body of work explores innocence and tragedy, desire and sexuality, femininity and violence, and the boundaries in-between. 

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